Remember that scene in “Singin’ in the Rain”? You know, the one of the switch-a-roo when the audience learns that Lina Lamont’s (Jean Hagen) singing is a fraud because the curtain is drawn to expose Kathy Selden (Debbie Reynolds) as the real voice.
Lina was faux singing in much the same manner as we experienced a faux Fourth in PBS’s A Capitol Fourth. It was a desultory performance of retread performances strung together with satellite social-distancing recitals and no audience anywhere. When it came to the fireworks spectacular at the end, it was spectacular but proved as empty as Lina’s voice because the Mall was a ghost town. A celebration needs a crowd, period.
Similarly, is this what is meant by the “new normal” for our schools: an hour in front of a computer monitor with the occasional writing prompt and textbook assignments? Some schools may open but your kids will enter a classroom of everyone masked, kept far apart, and wearing gloves, as in a sci-fi horror movie. If so, parents pull your kids out of these schools and away from the silly distance-learning, and run as fast as you can with the kids in tow to more reasonable locales. The tactic is to real learning what child abuse is to proper parenting.
This year’s July Fourth was also Jekyll and Hyde affair. I went from the insipid PBS production on the tube (Hyde) to outside and the vibrant popping and the wonderful flares of explosions and light from skyrockets (Jekyll) all around me. Just knowing that people were gathering with friends and loved ones to ignite the display added so much more to the electricity of the moment. John Adams had it right when he wrote to his wife, Abigail, on July 3, 1776, “It [the Fourth] ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.” Exactly.
The choice of songs in this year’s PBS edition were suspect, especially in light of the ongoing anarchy in city streets. The producers seemed to be keen on a theme of social healing. The show opened with the song, “Put a Little Love in Your Heart”. Nothing wrong with that, but rioters, looters, and vandals don’t need love; they need to be arrested. The angry marchers in our Democrat-run cities and states were exploiting George Floyd’s body to advance a series of lies in pursuit of an overturning of America. A socialist revolution is an afront to the America that we love. The cries of “systemic racism” are as easily disproven as “defund/abolish the police” could be shown to be deadly. Our times don’t call for a “healing” but demand a complete refutation of the movement’s falsehoods. Our times don’t call for “healing” but demand the re-imposition of decency through arrests, convictions, and incarceration.
This mangling of our July Fourth was brought to us by policy proscriptions corrupted by politics. The longer that we make our public spaces ghost towns and mar our faces with masks and treat each other like lepers, the more we destroy economic life. The more livelihoods are smashed, the more resentments grow toward the man in the White House. And that’s the ultimate goal: remove Trump, takeover the federal government and impose high taxes, feverishly pursue a quixotic crusade against a shadowy “systemic racism”, foist the totalitarian Green New Deal on us, and straitjacket us in a quicksand of red tape, thanks to a growing army of the administrative state. The Democrats will succeed in producing the results of a lockdown without a virus, to the detriment for the vast majority of Americans – but not for them since they’ll be the new Soviet nomenklatura.
Heck, the Democrats even want to disarm us by turning the Second Amendment into dead letter as they try to “defund” or “abolish” the police. Neither our livelihoods, our persons, or our children’s future will be safe. Every time somebody’s bad actions goes viral, out comes the angry marchers, looters, rioters, and vandals and up goes the torching of businesses, beatings, killings, and another wave of erasures of the symbols of our national heritage. You can do nothing but run for the hills – and maybe not even that if they succeed in criminalizing the oil industry.
Why else the resuscitation of the Democrat’s enthusiasm for secession, if not as part of the full court press to get Trump? Since Trump’s inauguration, blue-state governors, county commissioners, school boards, and mayors have done all in their power to nullify federal immigration law in their zones of authority. Public health isn’t immune to their designs. While Trump is consigned to the role of helpmate, the blue-state neo-Napoleons in governor’s mansions strap the lives of their residents. They keep a boot heel on the neck of the people’s comings and goings. They gamble that a depressed people will turn against the man in the oval office.
And when it comes to mayhem in their streets, blue-state suzerains turn a blind eye as Trump is made to look bewildered. Pardon me for suspecting that they harbor designs to make Trump appear impotent.
PBS’s A Capitol Fourth symbolized the worst of our times in both form and content. The program’s musical content, in some instances, was the wrong message for the wrong time. And its form was an implicit sanction for the continued suppression of American social and economic life. I turned to the antidote of a DVD of James Cagney’s “Yankee Doodle Dandy”.
RogerG