While watching the multiple episodes of Netflix’s “Last Chance U: Indy” (Independence Community College in Kansas), two things stood out: the young men in the football program need structure, and they are being indoctrinated in the classroom. The propaganda angle should be the most terrifying aspect because it reaches the entire enrollment. The program scenes shift from the practice field to the student interactions with a sincere writing/literature instructor and the art and sociology classrooms. A recurring theme of the literature and sociology instruction appears to be oppression, victimhood, and both are portrayed as a product of a pervasive system of injustice. I got enough in the brief scenes to instantly recognize the all-too-familiar pedagogy.
Sound familiar? If not, it should. Your kids are getting a steady diet of it from the tear-jerking first day of kindergarten to college commencement.
The indoctrination didn’t happen overnight. It had been building since the notorious 1960’s. A pivotal moment came in the worker/student uprising in Paris of May 1968. The mob dubbed themselves the “Soixante-Huitards”. It was a complete assault on “bourgeois” society with demands for a takeover of government, campus, and factory. Charles De Gaulle, the then French president, was frightened enough to seek momentary refuge in Germany. (The best rendition of this page in history can be found here.)
The ideas behind the uprising are the same ones spouted by today’s propagandists such as Ibram X. Kendi, Robin DeAngelo, Nikole Hannah-Jones, and a majority of the professoriate in our country’s 4,500 campuses, public and private, secular and religious. The inspiration came from revolutionary apostles that included the Italian communist, Antonio Gramsci, the neo-Marxist Herbert Marcuse, with a host of others.
Then came a shift in strategy in the 1970’s: rather than burn it down, take it over became the cry. The German radical Rudi Dutschke pointed the way in an action plan that he dubbed the “long march through the institutions”. Clean up and attain tenure. Be the teacher of the scions of the Fortune 500 and soon the revolution will have the necessary acolytes in Big Sports, Inc., the NCAA, the corporate boardroom, the media centers, the schools, the publishing industry, Big Tech, and anyone in any position with a college prerequisite, all advancing the grand coup.
The success of the scheme is found everywhere, and especially so in entertainment. Take two recent examples from the fare on Netflix and Amazon Prime: “Red Joan” and “American Traitor: The Trial of Axis Sally”.
First, “Red Joan”. Ever since the public availability of the Venona decrypts of Soviet espionage operations in the US, Americans and Brits, some in top governmental posts with high security clearances (Harry Dexter White, Asst. Sec. of the Treasury, and Alger Hiss, State Department and adviser to FDR, for instance) were exposed as espionage agents for the Soviet Union, along with many others littered throughout the federal government, which included the most sensitive reaches of the Manhattan Project. Joan Stanley (“Red Joan”) was reputed to be the longest serving KGB spy transferring hundreds of British atomic secrets to Stalin’s Soviet Union. The film provides important context but, in the end, soft-pedals her treason. It treats her rationalization at the end of the film – the USSR with the bomb would balance the US and make for peace – as the Sermon on the Mount. An ounce of thoughtful analysis would expose its irrationality and quite possibly its duplicity.
If she was so concerned about world peace, why was she hell-bent on only giving the bomb to Stalin? Why not Hitler? If world peace through a balance of power is the goal, why not gift it to the National Socialists instead of just Marxist socialists? Instead, early in the film, she frequently states her desire for the Brits to get it before the Germans. Then, later, she wants the Soviets to have it. Her espionage only points one way.
Clearly, she has a bias for the international struggle against capitalism. Throughout the 1930’s, and thereafter, Stalin had proven himself to be as homicidal as Hitler. Picking one mass killer over another as the recipient of the ultimate WMD can’t be grounded in balance-of-power rhetoric. Only one answer stands the test of logic: she wanted the survival of the USSR, and, as it turned out, the suffering of billions for decades into the future.
Additionally, a penchant for Marxist totalitarianism apparently goes hand-in-glove with a heightened sense of personal omnipotence. She arrogantly confers on herself the power to decide the policy of a popularly-elected government. For me, this is the ultimate treason. She supplanted the judgment of the people’s representatives for her own. This is a betrayal far graver than espionage. She avoided the noose due to age but she should never escape the shame that she so richly deserves.
The dominance of neo-Marxism in our cultural commanding heights makes it easy to retrospectively exonerate a betrayal for a Marxist cause. It’s even possible to transform the truly repugnant into a victimn. And so, we have “Axis Sally” on Amazon Prime. Mildred Gillars, Nazi propaganda broadcaster, is portrayed as a victim of Nazi extortion (seizure of her passport, threats) and rape by Nazi propaganda minister Goebbels. Yet, no evidence exists that Gillars and Geobgels ever met, let alone that he had the opportunity to rape her in a studio control room, let alone that they had a tryst where she put a gun to his head. Still, the fictions are a two-fer: heap mud on the already disgraced-but-dead and transform a noxious female opportunist into a chic victim.
It’s a given that Hollywood takes license with facts – nothing new. But the liberty with the facts is also the liberty to inject “Me Too”. How else to create a sympathetic character out of a vile anti-Semite and American functionary in the Nazi war effort? That’ll keep Madonna and her vagina heads energized in their perpetual state of victimhood.
“The March Through the Institutions” has succeeded beyond the wildest dreams of the Soixante-Huitards. Even the chairman of the joint chiefs of staff sounds like Ibram X. Kendi. Even corporate heads are bolstering the political fortunes of a political party bent on destroying them. Surfing the offerings on tv and the silver screen is a joy-ride through the woke mind. At one time, tv was thought to be a wasteland. Well, it has metastasized into brainwashing.
Parents, your kids are being pummeled with it. They are getting it from everywhere. If you don’t want your kids destroying the prosperity that you inherited, seize the cellphone, watch your school board like a hawk, monitor your kids’ instruction, and restrict the influence of Hollywood’s baleful offerings. Above all, be an active shaper of the culture, not a passive recipient of it.
RogerG