If you have any doubts about the fact that Big Tech is seeded throughout their organizational pyramids with leftists, look at what happened to Eli and Shelby Steele’s film, “What Killed Michael Brown?”, on Amazon’s website (see the trailer below).
The film was initially cancelled. Why? The censors at Amazon rolled out drivel like the film wasn’t “eligible for publishing”, “doesn’t meet Prime Video’s content quality expectations”, and Amazon “will not be accepting resubmission of this title and this decision may not be appealed”. That’s a gobbledygook word salad, with the last phrase an attempt at commercial assassination.
For the incorrigibly naïve ready to believe Bezos’s underlings, go to Amazon Prime and take a look at the boat loads of stuff that shouldn’t be “eligible for publishing”. Who are these people trying to kid? The Steeles, pure and simple, challenge the Black Lives Matter dogma. That’s it! The Steeles’ take on race is too jarring to the straitjacketed minds in our chattering classes of legacy media, the academy, corporate boardrooms, Big Tech and its minions, and the Democratic Party. These socio-economic satraps are different legs of a monocultural centipede that can’t handle an opposing posture. If you have $19.99 to spare, buy it and watch it. You’ll quickly discover that “quality” was a PR word to hide an organizational attack on a different, well-founded point of view. Big Tech is working really hard to get a step on Orwell’s Ministry of Truth.
Later, after an outcry, Amazon relented. If for no other reason, stick your thumb in their eye by purchasing the film on Prime. You’ll also be rewarded by the “quality” and a well-reasoned outlook on the issue of race in America. You’ll quickly come to see that Amazon’s ploy was a lie.
Now, to the film. The Steele perspective on race is analogous to a kind of digestive tract that goes from real historical oppression, to later white guilt/penance, to government coddling to assuage the guilt, to crippling dependency, and to the evolution of a mutually beneficial relationship between the providers and recipients of the largesse. At this last stage of digestion, we have a full-blown race hustling industry ready to treat incidents as if they were a resource – like yesteryear’s Carnegie Steel exploiting Minnesota’s Iron Range – but leaving the cultural landscape in black neighborhoods horribly scarred.
This race-hustling industry has made a new career path in race-hustling. As in most things, the new career is founded on a few presumptions. It begins with the busybody reflex in the progressive mindset: life and people would be better only if they – the self-anointed “expert” – had power to direct their lives. Where did that lead? It led to the War on Poverty and the wholesale demolition of black property ownership and, most terrifyingly, the loss of the full humanness that naturally accrues to all of us. Blacks were put into a special category reserved for people incapable of personal responsibility. A near complete annihilation of their civil society with its faith and family spilled out of this good-intentioned crusade.
And a new market in the penance for “white guilt” arose as white liberals sought exoneration and forgiveness and race-hustlers offer it for a price: wealth and power. In economics, no market can survive without mutual benefit, and indeed Al Sharpton and Democratic Party hegemons get wealth and power and whites earn remission after bending a knee before Black Lives Matter. It matures into a forever thing, a perpetual motion machine built around grievance and shallow identities.
Shelby Steele blows the cover on this hideous marionette show. See “What Killed Michael Brown?”. It might compensate for the deep disappointment after watching Mitt Romney join a horde of Black Lives Matter enthusiasts in the wake of another one of those resourceful incidents, George Floyd.
RogerG
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